Entire playlist containing 79 videos of Lollu Sabha
Monday, March 26, 2012
Sunday, March 25, 2012
Monday, March 19, 2012
Tuesday, January 17, 2012
Nanban - The Good, The Bad and The Ugly
It is not the first time we had such remakes or rather as others say a successful or a faithful remake. Can't understand what is a faithful remake?? Well, basically there are two things here when it comes to remake. A very popular wholesome entertainer remake like Bommarilu, Pokkiri and a class movie remake just like A wednesday. It's quite obvious here that Shankar preferred the first which is quite a safe bet but a risky one as well because we all know what happened to Sholay. But to put it simple, what Shankar has done is what Raja had done in the past. I am not degrading Shankar here but the considering the films that he has done in the past, he is certainly capable of more than this copy paste thing. But in the end of the day, it's the quality of the final product matters to the audience. In that aspect, Shankar really had cherished.
The Original production '3 Idiots'. Well, first and foremost, 3 Idiots is not an EPIC movie. I would rather say this is an overrated movie. But that doesn't stop the entertainment the movie gave to us. It's a full fledged wholesome entertainer which as Shankar said in the audio release function, will entertain you for the whole 3 hours nonstop. It's quite hard to find out the boring scenes in 3 Idiots which will leave the director who is going to remake the movie unclear on whether or not to cut/remove any portion from the original product. It is also a good gesture that Shankar in the audio release function clearly given full credit to the original script writer of the movie and the outcome of Nanban should be credited to him and not him.
The Blondie
The actor Vijay. Probably the first time, I am using the term ACTOR adjacent to Vijay. With the stereo typed roles that Vijay was doing in the past and the mass that the actor carried from all his previous movies, I guess there isn't a single movie which has done without action sequences. It is indeed an appreciable fact that the actor leaving his mass fan following and gave his full liberal to the director for the movie. I hope this continues in his usual movies as well. The comparison is something you cannot stop and that too for a movie like 3 Idiots which I guess many would have seen. On that note, has Vijay given justice to Aamir? Hmmmm, I would say partially yes. Why partial? I can come in detail on the TUCO part in my review.
The director has not changed anything from the original production. Which is good as well as bad. Good for the people who have seen 3 Idiots (once or twice) will be satisfied that it is a genuine remake. It is very good for the people who haven't watched 3 Idiots and they will be satisfied to the core.
Jiiva, probably the one person, who has tried to be original instead of 'dittoing' his character from 3 Idiots. At nowhere in the movie, with his screen presence, he has given a slightest feel of Sharman Joshi. I would say he is the best cast in the character for Nanban without any doubt.
The Tuco
You enroll all good actors who are capable of doing more or rather have their own style brand. And when you ask them to succumb it becomes artificial to an extent. That's what happened to Vijay, Sathyan and even Sathyaraj. Before watching the movie, I was seeing reviews and comments that these three actors have given their best exceeding the expectations. But, honestly what I felt was they were asked to imitate from their respective characters in 3 Idiots. But I am not trying to say that they didn't do well, but they looked artificial in many scenes. Sathyaraj was pick of the lot where the way he tried to stress 'S' as 'issss' trying to imitate Boman Irani. Initially when he was introduce with the lecture lesson at the hostel, it sounded interesting but when it was moving along, it started a bit annoying. Same goes with Sathyan. His talents are left unused by many directors. This guy is actually capable giving stunning performances. He has done really well in this movie but just because the script is being ripped even he too had to render the same as his character counterpart in 3 Idiots. Had he given his standard way, I felt it would have been livelier and even more entertaining.
Vijay on the other hand, had tried to imitate Aamir Khan but didn't work as expected. We all know the character of Aamir and we all know the capability of Vijay especially in such character. He has given his best in Kushi which is more or less similar character. I am not trying to call the roles enacted by these actors are bad but I am trying to say that the movie would have been even more brisk and entertaining or rather a new look if they were asked to play their natural game.
The Angel Eyes
First character to spoil the sport is Ileana. PERIOD. The runner up is Srikanth. I wonder what made Shankar to pick this guy who is pretty important in the movie because he is the narrator. Basically, he lags in expression and he has got more screen presence where he has to express when he talks to his parents and in the climax. The way Maddy brought the feel is completely missing in Srikanth.
And comes the Legend 'Harris'. Be it his background score or his songs, at nowhere in the movie it synchronizes with the movie. Two of his songs were saved because of the picturization which are 'Asku Asku' and 'Heartiley Battery'.
Verdict
A neat remake of 3 Idiots. If you have not seen 3 Idiots, this movie is a perfect entertainer. If you have seen 3 Idiots (once), this movie is a good entertainer. If you have seen 3 Idiots many times, better to SKIP.
The Blondie
The actor Vijay. Probably the first time, I am using the term ACTOR adjacent to Vijay. With the stereo typed roles that Vijay was doing in the past and the mass that the actor carried from all his previous movies, I guess there isn't a single movie which has done without action sequences. It is indeed an appreciable fact that the actor leaving his mass fan following and gave his full liberal to the director for the movie. I hope this continues in his usual movies as well. The comparison is something you cannot stop and that too for a movie like 3 Idiots which I guess many would have seen. On that note, has Vijay given justice to Aamir? Hmmmm, I would say partially yes. Why partial? I can come in detail on the TUCO part in my review.
The director has not changed anything from the original production. Which is good as well as bad. Good for the people who have seen 3 Idiots (once or twice) will be satisfied that it is a genuine remake. It is very good for the people who haven't watched 3 Idiots and they will be satisfied to the core.
Jiiva, probably the one person, who has tried to be original instead of 'dittoing' his character from 3 Idiots. At nowhere in the movie, with his screen presence, he has given a slightest feel of Sharman Joshi. I would say he is the best cast in the character for Nanban without any doubt.
The Tuco
You enroll all good actors who are capable of doing more or rather have their own style brand. And when you ask them to succumb it becomes artificial to an extent. That's what happened to Vijay, Sathyan and even Sathyaraj. Before watching the movie, I was seeing reviews and comments that these three actors have given their best exceeding the expectations. But, honestly what I felt was they were asked to imitate from their respective characters in 3 Idiots. But I am not trying to say that they didn't do well, but they looked artificial in many scenes. Sathyaraj was pick of the lot where the way he tried to stress 'S' as 'issss' trying to imitate Boman Irani. Initially when he was introduce with the lecture lesson at the hostel, it sounded interesting but when it was moving along, it started a bit annoying. Same goes with Sathyan. His talents are left unused by many directors. This guy is actually capable giving stunning performances. He has done really well in this movie but just because the script is being ripped even he too had to render the same as his character counterpart in 3 Idiots. Had he given his standard way, I felt it would have been livelier and even more entertaining.
Vijay on the other hand, had tried to imitate Aamir Khan but didn't work as expected. We all know the character of Aamir and we all know the capability of Vijay especially in such character. He has given his best in Kushi which is more or less similar character. I am not trying to call the roles enacted by these actors are bad but I am trying to say that the movie would have been even more brisk and entertaining or rather a new look if they were asked to play their natural game.
The Angel Eyes
First character to spoil the sport is Ileana. PERIOD. The runner up is Srikanth. I wonder what made Shankar to pick this guy who is pretty important in the movie because he is the narrator. Basically, he lags in expression and he has got more screen presence where he has to express when he talks to his parents and in the climax. The way Maddy brought the feel is completely missing in Srikanth.
And comes the Legend 'Harris'. Be it his background score or his songs, at nowhere in the movie it synchronizes with the movie. Two of his songs were saved because of the picturization which are 'Asku Asku' and 'Heartiley Battery'.
Verdict
A neat remake of 3 Idiots. If you have not seen 3 Idiots, this movie is a perfect entertainer. If you have seen 3 Idiots (once), this movie is a good entertainer. If you have seen 3 Idiots many times, better to SKIP.
Wednesday, October 26, 2011
Bodhidharma or Vela
Instead of writing two different reviews, I shall try to put both in one review and also, the thought of comparing these stories struck my mind while watching Velayudham. 7aum arivu, the movie which created buzz in the cine industry right from its poster release till the irritating publicity gimmicks by the production house was released a day before the diwali to create more buzz and it was not just the special show, instead almost all the theaters screened the movie continuous shows from matinee to early morning. With all the anxiety, I watched the matinee show of 7aum arivu and after coming back from the movie, '7 aum arivu is samma entertainer' was my status message on my wall. Hmmmm, slightly makes me think if I had over bored a bit with the movie.
Expectation matters certainly! Creating so much expectation on 7aum arivu had a slight disappointment from many whereas, the unusual dark horse Velayudham, with no big publicity and very less expectation, turning out to get positive scribbles. Adding more to the factor is the vengeance on Suriya by both the fans of AJ and VJ. I was surprised to see audience in a C class theater abusing Surya on hearing positive comments from the people who came out of the theater after watching the morning show of Velayudham.
Ok, now coming to drawing the similarities on these two stories. In 7aum arivu, china wanted to start a bio war in India by means of a virus and connecting that to the 6th century and the concept of triggering the DNA of a person who lived in 6th century. In Velayudham, the usual ordinary formula of Pakistan - India war in the form of terrorist. 7aum arivu had to trigger DNA of Bodhidharma to kill Dong Lee, here; sentiment dialogue is all needed to bring back Velayudham.
First 16 mins gimmick. Before I went to 7aum arivu, all talks were about never miss the first 16 mins, every minute is 1 crore and it is the most important part of the movie. Agreed, it is the most important part of the movie, but 1 minute = 1 crore makes me to think the way to spend money in the most unknown way!! In Velayudham, if I am not wrong, for the first 16 mins will not have Vijay but it tested the patience of his fans longing to celebrate his first screen presence. It also conveyed what the movie is all about in just 16 minutes.
Forget the first 16 mins now and move on. 7aum arivu had sluggish start after that it had the introduction of Suriya with a costly song 'Oh ringa ringa' roping 1000s of artists and dancers, shot with several random cameras in the busiest places of chennai, heavy beats, unknown lyrics, etc., After which, the movie had a dull screenplay until the Villain's entry point. But, Velayudham just had 'sonna puriyathu' with no 1000 dancers, normal camera, awesome dance and a peppy number. The pace of the movie is so swift and smart. Surprisingly, this time, there was some logic in the play.
Pakkuru, Circus, Suriya all tried to bring out laughter but not even a bit had come. Santhanam PERIOD. Vijay PERIOD. I guess these would have answered. Santhanam particularly rocked throughout the movie with his timing sense and witty dialogues. He was given a good company by the hero himself and along with the other artists in the movie.
Munandhi Charal and Emma Emma overtakes Chillax and Maayam Seidhayo as a song but as a visual appeal, everyone should succumb to Hansika. I haven't seen Engeyum Kadhal, but I wanted to watch it immediately. Not just these songs where she scores, overall, in each and every frame, she kills us with her beauty. On a serious note, Shruthy, though I feel she is not a heroine material at all, ARM had given good scope for the heroine role in this movie, but she sounded so artificial in most of the places. I should appreciate that she had dubbed for herself, but sometimes, it makes us feel that they ruining the dubbing artist. On still a serious note, she is neither hot nor sexy.
Post interval, it was quite obvious to have Vijay's usual formula like HIS movies. Praising dialogues from the common people, extra ordinary over reaction from a couple of actors, Oruthan varuvaanda, Velayudham anna da, Avan ungala saagadippan da kinda dialogues disturbs a bit. Also, quite heavy action dosage was added in the second half which was quite bad. Same holds good for 7aum arivu as well. Jonny is the villain roped in from Thailand, the master of Martial arts. Also agreed is that he is capable enough to control others mind. But ARM, you cannot keep throwing away vehicles like this in the name of Nokku Varmam. Learn to use the right talent from right people.
Surya had six packs. The climax triggered the DNA of Bodhidharma and he was reborn as Suriya. It had martial arts. It had some magic. Of course it was good to watch it on screen as well. Vijay on the other hand had no packs, the usual Villain beating hero, but it was more powerful to watch on screen. Pre release of the movie, ARM kept chanting Tamil and it will trigger the DNA of the audience as well which will bring Tamil patriotism, but to be real honest, the play was not so powerful to bring that patriotism. Ramana gave Goosebumps, 7aum arivu failed to do that.
7aum arivu is an OKish entertainer as I initially said I may have to think rewriting what I wrote on my wall. It had brave concept, unsteady screenplay, some wasted talents.
Velayudham is a pakka family masala entertainer which has got all possible elements driving the standard commercial formula of action, comedy, romance and sentiments.
Verdict - 7aum arivu had Six pack suriya, Red Giant Udhayanidhi, Giant promotion, AR Murugadoss, Harris Jeyaraj, Jhonny, Ravi K Chandran.
Velayudham had VIJAY.
Saturday, October 1, 2011
Vaagai Sooda va - A National award winner
After a pathetic Vedi for the first show, we thought we will end up watching Muran for the night show but later because of a friend, we watched Vaagai Soodava and I came to know about the movie called Vaagai Soodava and felt quite difficult to remember this name until I watched the movie. We would have often seen many movies that carry 'for the namesake message' but I don't recollect any recent movie that has taken a very good plot and conveys a message that benefits child labor in India in rural villages.
The story is set back in the 60s, where Vimal goes to a 'pottakaadu' in order to teach the children there so that he gets a certificate which will help him in getting a government job. This is actually the basic plot of the movie from which the director has beautifully taken the story to tackle the characters giving everyone equal share in the screen. The village where Vimal goes is an absolute 60s village where the children were kept illiterate and were asked to cut the bricks where they work for JP, the person who rules these people to work under him as slaves or utilize the illiterate people.
What I liked in the movie is not exaggerating things or deviating from what the director has intended to convey. You have the coin. Hero, Herione, Villain, people who work as slaves and children. Move the coin in such a way that hero and villain meets. First instance, the slaves support the villain unknowingly. Later reveal the super power of the hero. NO, the same happens even in this movie, but the way it was told is awesome. The character of the protagonist is actually to get the certificate which will help him to get a government job as a teacher and hence, the movie revolves around him and focus is being given on that character and what was his motto during that time. Heroine slowly starts to fall for the hero but without telling him her love.
Casting is playing a vital role in many feel good movies these days. This movie is no exception. You just name a character in the movie and each and everyone in the movie were damn apt casted. I never felt anyone being misplaced here and I am seriously not over exaggerating here. So as their acting which comes quite naturally. The children were handpicked by the director I guess. He made them look like real life brick cutters who are from remote parts of Tamil Nadu. Vimal has done a neat job following Kalavaani, an apt 1960 teacher with the style of that period, he looked neat and clean. The heroine is another beauty without makeup but I sincerely hope to see these people with their actual face to see and get surprised.
I never knew Poraale Poraale belongs to this movie, somewhere in the radio in the night while sleeping; I have listened to this song which didn't attract me at that time. Watching it on screen, learn from this song how to shoot a romantic song. The music director, even now I do not know his name and but I suspect this could be his debut film, is packed with talents in him. The background score is adding more value to the movie and its elevating the scenes as needed. Only in some occasions, I slightly feel that the BGM has over used to make you not understand the dialogue; otherwise it is picture perfect music that soothes you.
Art and cinematography adds another list in the good aspects of the movie. The entire movie is shot in a village; I would say approximately 2 or 3 grounds of land with a few huts here and there. Cinematography is particularly good in the songs and gives a good feel especially the night scenes where the lighting is used precisely.
After giving a feel good entertainer in the name of Kalavaani, the director has come with up a hard message driven movie. As I have mentioned it earlier, the movie never was shifted to a different route even a slightest moment and the screenplay was crafted to utmost perfection. The dialogues, acting, casting everything should be credited to the director and more importantly at this period and giving a period movie of early 60s, the director definitely has done a significant job here.
Verdict - Mark my words, it is a clear National award winner.
What I liked in the movie is not exaggerating things or deviating from what the director has intended to convey. You have the coin. Hero, Herione, Villain, people who work as slaves and children. Move the coin in such a way that hero and villain meets. First instance, the slaves support the villain unknowingly. Later reveal the super power of the hero. NO, the same happens even in this movie, but the way it was told is awesome. The character of the protagonist is actually to get the certificate which will help him to get a government job as a teacher and hence, the movie revolves around him and focus is being given on that character and what was his motto during that time. Heroine slowly starts to fall for the hero but without telling him her love.
Casting is playing a vital role in many feel good movies these days. This movie is no exception. You just name a character in the movie and each and everyone in the movie were damn apt casted. I never felt anyone being misplaced here and I am seriously not over exaggerating here. So as their acting which comes quite naturally. The children were handpicked by the director I guess. He made them look like real life brick cutters who are from remote parts of Tamil Nadu. Vimal has done a neat job following Kalavaani, an apt 1960 teacher with the style of that period, he looked neat and clean. The heroine is another beauty without makeup but I sincerely hope to see these people with their actual face to see and get surprised.
I never knew Poraale Poraale belongs to this movie, somewhere in the radio in the night while sleeping; I have listened to this song which didn't attract me at that time. Watching it on screen, learn from this song how to shoot a romantic song. The music director, even now I do not know his name and but I suspect this could be his debut film, is packed with talents in him. The background score is adding more value to the movie and its elevating the scenes as needed. Only in some occasions, I slightly feel that the BGM has over used to make you not understand the dialogue; otherwise it is picture perfect music that soothes you.
Art and cinematography adds another list in the good aspects of the movie. The entire movie is shot in a village; I would say approximately 2 or 3 grounds of land with a few huts here and there. Cinematography is particularly good in the songs and gives a good feel especially the night scenes where the lighting is used precisely.
After giving a feel good entertainer in the name of Kalavaani, the director has come with up a hard message driven movie. As I have mentioned it earlier, the movie never was shifted to a different route even a slightest moment and the screenplay was crafted to utmost perfection. The dialogues, acting, casting everything should be credited to the director and more importantly at this period and giving a period movie of early 60s, the director definitely has done a significant job here.
Verdict - Mark my words, it is a clear National award winner.
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