Mankatha - Ulle Veliye!!!

Something on a personal front, I am missing those days in Chennai, particularly these first day first show or rather first day early morning shows that too for a Ajith movie. Sleepless night spending time on all the social networking site, hearing all the rumors of relatives/friends abroad commenting the first word of mouth, neutral fan/ajith fan/ vijay fan review from abroad and getting up early in the morning and watching the 5 AM show in a pakka mass theatre! Priceless - but just for that moment! What happens after that show gets over? Game ON!

Certainly, the expectations are high for various reasons! Obviously the 50th game for Ajith, which he has landed with an OKish director this time bearing in mind what Vijay did for his 50. Strangely, the songs turned out to be good this time, which I felt after a long time, say Kireedom. The trailer - just increased the expectations to reach sky high! Before the game actually begun, there were games started well in advance for the release of the movie where the movie was tossed to different hands.

Venkat Prabhu known for his clever steals from Hollywood movies and he has already let the audience to determine what movie is Mankatha ripped, by the promos and the trailer. But, at least, I can say this is not a RIP OFF of any Hollywood movie thought it had glimpses of Italian Job. So, I basically wanted to put this review in terms of what I felt are IN and what I felt were OUT.

Don't shout at me for it. I very much understand 'Strictly no logic' for a commercial movie but having a heist plan and going with a logicless screenplay seriously is annoying. The Heist plan is absolutely yuck and just for bike stunts which we all know Ajith can do wonders, you cannot have a pretty logic less stupid plan using a magnet to lift a giant carrier when the driver is JUST speaking or showing his papers! And another logic less factor that irked me was the police character involved in the heist. Having been caught red handed that he is involved and he still manages to get help from the police department! Where are you with movie boss??

Songs, they just proved the typical formula in Tamil Cinema. But having had a good response for the audio release, I must say except for the opening Song 'Vilayadu Mankatha', the other songs weren't picturized well and particularly, the placement of the songs are speed breakers. You don't have smoking facility inside the theatre premises these days Venkat Prabhu and please bear in mind when you place the songs in your next movie at least. Moving further, did you ever see the song 'Bin Laden' and where you convinced with the singer-actor synchronization? Or did you at least feel if it's a mandatory factor at that place? And the much hyped Open the bottle is a bizarre! We all know Ajith cannot dance and you are not making any Guinness record here Mr Venkat Prabhu. Lastly, my favorite Ballelakka has landed to the ugliest characters (except Rai) in the movie!

Trisha, Andrea, Anjali, Lakshmi Rai...hang on! I am not typing the heroine names in Tamil Cinema, as a matter of fact, these bunch of ladies are part of the movie and trust they come not more than 10 minutes in the movie. There were 4 item girls in the song 'Open the bottle' and I don't see any difference from the screen share between these 4 and the other 4. Well of course, the item numbers rocked. You could have at least saved our souls with the help of Lakshmi Rai but you had to get convinced for the censors by doing a smudge effect for close up shots. Poor we are man!

You had 50 bunches of characters in Chennai 28. You had 40+ in Saroja by roping in all the television serial actors. You had 30+ in Goa. See, you can't just keep having the same bunch of folks in all your movies and that especially, when you think they don't fit the bill. Prem Ji was seriously annoying but I can admit the IIT factor and 'Kirukkan' look alike match. But man, we are seriously tired of his Ilayaraja numbers and pathetic punches. I am sure most of us will agree here with the cast you believed in the boy called Mahat! Only one question that I can ask you, 'Where on earth you found him'? He doesn't know to act. He doesn't know to smile. He doesn't know to romance. He doesn't know to dance. We wonder what made you to choose him other than the money factor (if at all). Even if someone can tolerate these, when someone ask ' Mahat, be ready' for which replies 'Naan porandhulendhe reddy dhaan da'. UFFF this is atrocious.The problem is when you have too many characters, this gives you less scope for the main characters to contribute or even if they have done that, it will go unnoticed. Ganesh as the police SI is a good choice though and he has lived up to the expectations. I can probably detail on the lead characters in the para to come.

So having said all these, we have Ajith Kumar! He has done in Vaali. He contributed in Varalaaru. I should thank you for utilizing the skills of the actor which he is good at. But still, with due respect to the character played by him and the performance of Ajith, I still feel, there is more which you can extract from him and there are some which you can avoid him doing that. Throughout the movie, the saracacism shown by Ajith Kumar is bloody brilliant! But when the same sarcacism comes in the form of comedy, this is where the actor is a letdown. For instance, sarcacism between Ajith and Arjun was top notch whereas it was a big let down in the car scene between Ajith and Premji. Certain things which you could have avoided are the wicked smile, the chess scenes could have been made shorter in length. Arjun, on the other hand, I felt is an extended guest role kind. But yes, he has done it pretty neat with what was asked from him. As I mentioned earlier, though he had done his job, with the amount of characters in the movie and their background not explained properly, it will leave the contribution made by the main characters unnoticed.

Music as such also has been the same as the title of my review. It was OK in parts and noisy in some scenes. There are a few interesting things tried for the stunt sequences which I felt didn't go well. But he managed with the title roller being a catchy one. Same holds good for the cinematography as well.

All these above talks indirectly the direction and I guess I must thank him for not giving an absolute shit but at the same time, he needs to get out from the stereotype casting and improve on the loop holes to increase the pace of the movie.

Verdict - One Man Show

SURA that's rotten to even smell

I have seen many reviews for many movies where there will be a precautionary warning stating SPOILERS AHEAD, but the spoilers are strictly applicable for movies that has something in the name of story or suspense thrillers. But when it comes to Vijay's movies, the term called spoilers rules out based on the following two criteria. Firstly, following the same old story template without deviating any format other than the costume and secondly absolutely no story. Sura falls in the first category of using the perfect story template from his previous 49 movies. I often tend to remind about the story board template in most of the Vijay movies just to set a reminder to all movie buff about the trend or rather the stereotyped stories that's followed in his movies and I have to present the same here as well.


Story Board Template

Title Credits (5 mins being 50th movie) - Hero Introduction with comical scenes - Opening Song with a mass message - Heroine Introduction - Hero's so called Dream project - Villain Introduction - Unnecessary Duet - In between connectionless Comedy - Villain - Hero Clash - A promise to revenge - Intermission (best part in the movie) - Rise of a Phoenix - Another Duet number - In between comedy scenes part 2 - Final battle - At last, THE END.

This time as Vijay quoted in the audio release function, he mentioned about what's different in the movie. The fact he mentioned has got nothing to do with the story but he thought that it's a different story where he fights for a village rather than fighting for his lover/friends/sister etc., Being the 50th movie, there isn't no shortage for punch dialogues and politics aimed dialogues and scenes. As any other Vijay movie, he never fails to entertain us with his comical stunts and illogical scenes. But there are a few scenes that literally beat me to death. I should have seen close to 500 movies in the past 3 years and I never seen such a poor screenplay and illogical scenes in those movies.

There are movies, in fact, loads of movies where love blossoms between Hero and Heroine. In most of the cases, it would be either one of them falling for the others power/courage/smartness/nature/sympathy. I heard love is blind and concluded it after watching this movie. Heroine decides to commit suicide for losing her pet named Ramesh and hero saves her from the suicide attempt. Next day Hero helps a poor man by buying the pens he wanted to sell and that impressed heroine. Come on! Now don't tell me the love blossomed because of helping tendency or the bubbly character of heroine. And pity fact is Tamanna's role as usual is meant only for these cheap and silly romance scenes and of course the Villain has to kidnap her in order to black mail the hero so there comes another presence of Tamanna.

Villain, in the name of a Minister is actually the funniest part of the movie. In Tamil Cinema, we have seen lip mis-sync for heroines and for songs where it usually happens. Here, the villain does the job wherein there is absolutely no lip sync for his powerful dialogues. There is a special package missing here where his movies carry a bunch of different Villains al together. But somehow he managed to pull back a Police Inspector villain, Riyaz Khan towards the end for a revenge attempt situation. Poor guy he has just two scenes in the whole movie. Adding to that, the villain also proved in this movie about his capability and power that he is not a weak guy with his force which is evident from the introduction scene where he identifies a third person in his godown with the help of the perfume which his henchmen doesn't use. Isn't it funny?

Vadivelu, well after a roaring success of Pokkiri, he is back with Vijay in this movie to fill the humour. But the director failed to understand the fact that when a whole movie can deliver a comical stuff why would he need a specialist in the name of Vadivelu to add salt in the wound. But actually, the comedy scenes are enjoyable in bits and pieces but the poor thing is the synchronization of these comedy scenes to the play of the movie. It sometimes connects well if it comes with the combo Vijay-Vadivelu but often it tends to deviate with totally irrelevant sidetrack comedy scenes. A few scenes made me to serious think what made the director to have such irrelevant comedy tracks. With such a tremendous combo, I still enjoy each and every comedy scenes in Pokkiri but it has successfully played havoc in Sura.

This could probably be the only good part in the review as it speaks about the music and choreography. There were many other actors who wanted to showcase themselves as a great dancer by asking their choreographers to give tough movements which literally makes the song to fit in dance reality shows. But the silent man does it so easily. I was stunned with his movements for the song 'Naan Nadandhal Saravedi'. Credits should also be given to the dance master Robert for giving such a beautiful movements and Vijay has danced brilliantly for the song. Another good number in the music is Bommayee song, which is rich with the sets and the catchy hip lift dance movements. But the background score is not that great in the movie. Unlike Pokkiri, though it's a straight lift from the telugu original, it was sensational for the movie and added a great energy to the screenplay. But I bet, if Vijay doesn't possess this skill, he would probably join hands in opening another Jewellery shop storey building along with Top Star Prashanth.

We had 23-am Pulikesi in Pokkiri, we had a Bharathiyar in Villu, we had a Michael Jackson in Vettaikaran. But these are used only for songs. Why the hell we had an Avtar Singh as a customs officer in Sura? Will he not check in the mirror for the so-called get-ups that he pick? And did the director think that the audience are so dumb? Can anyone imagine if a group of henchmen smuggling goods in the ship can mistake a cracker rocket for bullet? Can't they even distinguish between a rocket launcher and an ordinary Sivakasi rocket? It was rib tickling comedy as Vijay's people started firing or rather bursting crackers and that made the smugglers to think that it's customs firing shot guns and rocket launcher. Thank God, Vijay didn't opt for any comical stunts to diffuse the bomb in any other means in the climax.

Now we have to give some respect to the critically acclaimed director SP Raajakumar. Immediate question that came to my mind as soon as I heard about this 50th movie was why did Vijay choose this man to direct his 50th movie? On what basis or on what ground rule he selected or trusted or had faith on this wonderful man. The man has given some movies, which many wouldn’t even, heard about it. Even when a debutant makes mistakes we can excuse him being his first movie or when a critically acclaimed director makes a mistake we can excuse him or blame him to own the result. Upon knowing the success of Azhagar Malai and En Purushan Kozhandai Maadhiri and if you are still adamant to work with him, what should I call you in spite of being your 50th film?

Verdict: SA Chandrasekar trusted on Vijay, Vijay trusted on SP Raajakumar, SP Raajakumar trusted on Sun Pictures. It's up to you whom you should trust, but if you trust me, I can save Rs 100.