First of all, the idea behind this article is not to talk about the work done by the little master. As a matter of fact, I found an article in a local newspaper here in the UK which had a column allotted for the Great Dictator. After reading the column, I just had to recollect the movies, silent movies and stage dramas of Chaplin and I wanted to give a short jist about the genius with some good pictures (credited to the actual source sites).
More than 70 years since he last appeared on the screen, Charles Chaplin's Little Tramp remains a supreme icon not just of the movies but of the 20th century - still he is recognized and loved every part of the world. If there can be an explanation for his success, it's his capability to transmuting the anxieties and concerns of human life into comedy. Certainly, it would have had some reflections of his personal life experiences.
Chaplin was an orphan at the age of 3 when his parents were separated and he indeed grew up in extreme poverty. But at the age of 10, he became a professional performer. His interest was not only as an artist, but he soon started showing interest in every department in drama. For every Kamal hassan, there will be a K. Balachandar. Likewise for Chaplin, he met Mack Sennett, the famous Keystone studios which was the major production house during early 90s. It was him, how implanted the idea into Chaplin's mind that he must direct himself which will give him freedom to perform and think and innovate.
Chaplin mastered the craft of film with phenomenal speed, and after the first three months in pictures was to direct all his own films. The first four years in pictures saw him develop from the carefree knockabout of the keystone comedies, to introduce irony and sentiment, and to progress to the Mutual masterpieces that included The Pawnshop (1916), Easy Street (1917) and The Immigrant (1917). It was First National who gave the breakthrough for Chaplin and came Shoulder Arms (1918) where he transmuted the horrors of the First World War into comedy.
The time of the giants is the year 1919 where the four the giants of the Hollywood at that time formed something called United Artists. For those who are not aware about the giants, they are Chaplin, Douglas Fairbanks, Mary Pickford and Griffith. Chaplin's first release through the company was 'A Woman of Paris (1921), a dramatic film designed to start Edna Purviance.
Those who had watched his comical drama in many television channels must have noticed the same heroine in almost all his movies/dramas. Yes, Edna Purviance, the most faithful lady whom Chaplin trusts a lot and there were some rumors as well involving them.
Arrival of the talking pictures, the year 1927. It was a big challenge to Chaplin than to most other directors. His wordless pantomime had won a universal audience, which would inevitably shrink if he now spoke in English. Chaplin's response was to continue making silent films. It was when 'City Lights' (1931) and Modern Times (1936) with the sound track used only for the sound effects and musical work came. In fact, the little master who had touched every department in film making had revealed his new avatar in musical department when he composed musical score for the movie 'Modern Times'.
In 'Modern Times', Chaplin brought the comic weapon to bear on burning issues of the day at that time particularly the industrialization and the confrontation. Then comes my favorite of them all 'The Great Dictator' where his targets were fascism and its leaders. In fact, he got some complaints from the critics that the comic sense was exceeding the boundary.
He continued with 'Monsieur Verdoux' and 'Limelight' for The United Artists and did a few other movies for some British Production pictures and it was the Christmas day 1991 when our genius left the world leaving us with no such icon for his replacement. PERIOD.
More than 70 years since he last appeared on the screen, Charles Chaplin's Little Tramp remains a supreme icon not just of the movies but of the 20th century - still he is recognized and loved every part of the world. If there can be an explanation for his success, it's his capability to transmuting the anxieties and concerns of human life into comedy. Certainly, it would have had some reflections of his personal life experiences.
Chaplin was an orphan at the age of 3 when his parents were separated and he indeed grew up in extreme poverty. But at the age of 10, he became a professional performer. His interest was not only as an artist, but he soon started showing interest in every department in drama. For every Kamal hassan, there will be a K. Balachandar. Likewise for Chaplin, he met Mack Sennett, the famous Keystone studios which was the major production house during early 90s. It was him, how implanted the idea into Chaplin's mind that he must direct himself which will give him freedom to perform and think and innovate. 
Chaplin mastered the craft of film with phenomenal speed, and after the first three months in pictures was to direct all his own films. The first four years in pictures saw him develop from the carefree knockabout of the keystone comedies, to introduce irony and sentiment, and to progress to the Mutual masterpieces that included The Pawnshop (1916), Easy Street (1917) and The Immigrant (1917). It was First National who gave the breakthrough for Chaplin and came Shoulder Arms (1918) where he transmuted the horrors of the First World War into comedy.
The time of the giants is the year 1919 where the four the giants of the Hollywood at that time formed something called United Artists. For those who are not aware about the giants, they are Chaplin, Douglas Fairbanks, Mary Pickford and Griffith. Chaplin's first release through the company was 'A Woman of Paris (1921), a dramatic film designed to start Edna Purviance. 
Those who had watched his comical drama in many television channels must have noticed the same heroine in almost all his movies/dramas. Yes, Edna Purviance, the most faithful lady whom Chaplin trusts a lot and there were some rumors as well involving them.Arrival of the talking pictures, the year 1927. It was a big challenge to Chaplin than to most other directors. His wordless pantomime had won a universal audience, which would inevitably shrink if he now spoke in English. Chaplin's response was to continue making silent films. It was when 'City Lights' (1931) and Modern Times (1936) with the sound track used only for the sound effects and musical work came. In fact, the little master who had touched every department in film making had revealed his new avatar in musical department when he composed musical score for the movie 'Modern Times'.
In 'Modern Times', Chaplin brought the comic weapon to bear on burning issues of the day at that time particularly the industrialization and the confrontation. Then comes my favorite of them all 'The Great Dictator' where his targets were fascism and its leaders. In fact, he got some complaints from the critics that the comic sense was exceeding the boundary.
He continued with 'Monsieur Verdoux' and 'Limelight' for The United Artists and did a few other movies for some British Production pictures and it was the Christmas day 1991 when our genius left the world leaving us with no such icon for his replacement. PERIOD.
